Sunday, March 14, 2010

03-13-10

Drop Dead Blues
This set was fun to DJ, though it took me until about the fourth song to figure out the dancefloor. It seemed like mostly new dancers and I could not for the life of me figure out what they wanted. This was as on-the-fly as my DJing has gotten. I was also psyched from watching Laney DJ FNB on Friday - she rocked the house.

-Last Call - Ronnie Magri & His New Orleans Jazz Band
-How Come My Dog Don't Bark (When You Come Around) - Dr. John
-Another Man Done Gone - Irma Thomas 
-Don't Ever Let Nobody Drag Your Spirit Down - Eric Bibb, Rory Block, Maria Muldaur
-Follow the Drinking Gourd - Linda Tillery and the Cultural Heritage Choir, Eric Bibb
-Sun Dirt Water - The Waifs
-100 Days, 100 Nights - Sharon Jones & the Dap-Kings
-Have Mercy - Shemekia Copeland
-Give Me One Reason - Tracy Chapman
-In the Mood for Memphis - Reni Simon
-Lord, Don't Move the Mountain - Angela Strehli
-Blues Is My Wailin' Wall - Mighty Mo Rodgers
-Bump and Grind - Denise Lasalle
-Summertime - Renee Olstead
-Death Came A-Knockin' - Ruthie Foster

Sunday, March 7, 2010

03-06-10

Drop Dead Blues

Had a kickass set tonight, I love making people dance! Had a regular one hour set, then jumped back in at the end of the night to trade twos with Mark.

-Petite Fleur - Sidney Bechet
-Tombstone Blues - Ronnie Magri & His New Orleans Jazz Band
-Summertime - Renee Olstead
-Rock me Baby - Etta James
-Blues Is My Wailin' Wall - Mighty Mo Rodgers
-Follow the Drinking Gourd - Eric Bibb, Linda Tillery & The Cultural Heritage Choir
-Color-Blind Angel - Robin Rogers
-Come On In My Kitchen - Porterdavis
-Love Me Like A Man - Bonnie Raitt
-Please Mr Jailer - Wynona Carr
-The Hole - The Soul of John Black
-Voodoo Chile - Gabriel Rios
-Tell Me More and More and Then Some - Nina Simone
-Pussycat Moan - Katie Webster
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-Black Night - John Lee Hooker
-Let's Burn Down the Cornfield - Etta James
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-Can't Stop Thinking About You - Martin Sexton
-Elijah Rock - Ollabelle

Wednesday, February 24, 2010

To pay or not to pay ...

As a DJ, I've struggled with this whole grey area of payment. Do I set a price and refuse to work if it's not met? Do I accept whatever people choose or decide to give me, and be glad of the opportunity? Or do I try to figure out some other system. As my experience has changed and my expertise grown, this outlook has shifted slightly. As a new DJ, I was happy to play anywhere no matter whether I got paid or not. It was great to be a part of an event and have the opportunity to get my name out there. As a whole, that attitude is still true. If I didn't enjoy DJing, I wouldn't be doing it. It's something I'm passionate about, and I definitely do not do it primarily for the money.

Having said that, here's the catch. I do believe DJs should be getting paid for their time. Most organizers do pay their DJs, but some don't, choosing instead to see free entrance to the event as apt payment. I think on principle, I disagree with this. Unfortunately, I don't think most people realize the amount of time, energy and money that goes into being a DJ. We tend to be misrepresented as people who show up, day of, with our laptops, sit down at a desk and throw on a playlist. Far from it. Some DJs might function that way, but I know many (myself included) that pride themselves on their knowledge of music and skill at moving a dance floor. The sad story is that DJs at their best go unnoticed, because it's not about putting yourself in the limelight, it's about creating an experience for your dancers, and the more you push yourself to recognition, the more you interrupt the dance experience.
But lets break it down a little, and figure out why DJs should be getting paid.

Money: Acquiring music is expensive business. In a time when everyone trades and downloads music for free, it's easy to forget that a lot of DJs still pay for their music, especially when the music we DJ is not widely known or available. Also, while being comped into an event lifts that expense burden, DJs travel extensively to attend the events they are hired for, and rarely are they compensated for their travel expenses. Often, even if DJs get paid, what they are paid doesn't even cover the cost of travel.

Time: When we DJ, we don't show up at the event, throw down our laptop and magically play a great set. Most of us spend hours getting to know our music, researching and finding more great music to play. We put in our time consistently, not just at events. Also, depending on how much I DJ at an event, I tend to dance a lot less.

Effort: Being a good DJ is hard work. It's stressful. Before a set, I am consistently listening to the current DJ in the room, taking note of their style, the direction they are going in, and making sure I know what they played so I don't accidentally repeat songs. This means I don't get to show up late (or right before my set), I pride myself on being on time, being ready to go before it is necessary, and being flexible. If you hire me as a DJ, I see my job as making sure you have a great event with great music. If you need to shuffle me around or call on me in an emergency, I do my best to help you out. My job is to provide you with good music and help you to make your event run smoothly. When I DJ, I do my best to watch the dancefloor, be aware of what's going on and respond accordingly.

For these reasons, I think it is important that DJs start getting paid consistently. I'm not saying break your bank on us. It's not about the money - what I make as a DJ barely reimburses me for travel expenses, let alone the time and money I spend on my music. But that's ok. I do it because I love it. However, not paying your DJs devalues their efforts and expertise, and we feel more like a friend doing you a favor than a legitimate DJ providing a valued service. In the end, this will hurt the organizer most: I am less likely to hold myself to professional standards when I am not being treated as a professional.

I want to make it clear that this is not a black and white opinion. There are many events that I would choose to work for "free" (just getting comped), either because the event is small and doesn't have the resources, or because it is large enough that I don't feel I have the level of experience and reputation to offset the opportunity and exposure that DJing such an event would give me. But I would love it if more people recognized the amount of effort and passion DJs put into their jobs to consistently provide the dance scene with great music.

Wednesday, February 17, 2010

02-12-10

Dexter and Michelle taught a workshop this past weekend, and it was such a great event. We kicked it off with a House Party, of which I DJed the first couple of hours. The classes were great, and taking them as well as a private with Dexter jumped my dancing (or at least the way I think about my dancing) to the next level. I'm excited to start really working on the things that were brought to my attention. Much of it has to do with using my body fully when I dance, initiating every movement from my core and following through all of my movements.  I hope really working on these concepts will make my dancing much more powerful.

Here is my set from the house party:
-Blues in the Night - Ledisi
-Dr Feelgood - Aretha Franklin
-I'll Be Your Sweet Black Angel - Saffire - the Uppity Blues Women
-Back Back Train - Aerosmith
-Come on in My Kitchen - Porterdavis
-Flesh and Blood - The Waifs
-Hot Potato - Circus Contraption
-How Come My Dog Don't Bark (When You Come Around) - Dr John
-Pussycat Moan - Katie Webster
-Death Came A-Knockin' - Ruthie Foster
-Lord, Don't Move the Mountain - Angela Strehli
-Get Back Temptation - Ollabelle
-2' Left to the Ceiling - Seth Walker
-Black Water - Charlie Musselwhite
-Red Mud - Chris Thomas King
-So Low - Big Bones
-Broken Toy - Jason Ricci & New Blood
-Blues 2.0 - Fruteland Jackson
-Tragic - JJ Grey & Mofro
-Oh Lady Be Good - Ray Brown Trio
-Mo' Better Blues - Gordon Webster Trio
-Black Night - John Lee Hooker
-Six O'Clock Blues - Eric Bibb
-That's Why I'm Crying - Koko Taylor
-In the Morning Blues - Ike & Tina Turner
-Can't Stop Thinking About You - Martin Sexton
-In the Mississippi River - Mavis Staples
-I Idolize You - Lizz Wright
-Sinkin' Soon - Norah Jones
-Summertime - Angelique Kidjo
-Little Wing - Stevie Ray Vaughan

Sunday, January 31, 2010

01-30-10

Tri-Dance Masquerade

Tim O'Neill and Whitton Frank came up to SLO to teach the lessons, and Mark Carpenter, Whitton Frank and I DJed the night. Started with one hour sets and then went into trading sets of three. Something about Whitton coming into town just guarantees a night of good music.

-Flesh and Blood - The Waifs
-Get Back Temptation - Ollabelle
-National Steel - Colin James
-Red Mud - Chris Thomas King
-Burn Down the Cornfield - Charlie Musselwhite
-Paris, Texas - Greg Szlapczynski
-Got My Mojo Workin' - Asylum Street Spankers
-No Need Pissin' On A Skunk - Saffire - the Uppity Blues Women
-Deep in the Delta - Brother Yusef
-Come On In My Kitchen - Porterdavis
-Black Rattler - Carl Sonny Leyland Trio feat. Nathan James and Ben Hernandez
-Tombstone Blues - Ronnie Magri & His New Orleans Jazz Band
-Tell Me More And More And Then Some - Nina Simone
-Silver Bird - Collard Greens & Gravy
-So Long I'll See Ya - Tom Waits
-Back Back Train - Aerosmith
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-Listen My Son - The Unseen Guest
-Tragic - JJ Grey & Mofro
-Color-Blind Angel - Robin Rogers
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-Black Water - Charlie Musselwhite
-Down in Mississippi - Mavis Staples
-Be My Husband - Nina Simone
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-Don't Ever Let Nobody Drag Your Spirit Down - Eric Bibb, Rory Block, Maria Muldaur
-Lord, Don't Move the Mountain - Angela Strehli
-Black Night - John Lee Hooker
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-Blues in the Night - Ledisi
-Voodoo Chile - Gabriel Rios

Sunday, January 17, 2010

01-16-10

Drop Dead Blues
Erika Schmidt was visiting which brought a whole new level of awesomeness to our scene. Such a great turnout, and the dance floor stayed consistently full.

-That's Why I'm Crying - Koko Taylor
-Six O'Clock Blues - Eric Bibb
-So Low - Big Bones
-Color-Blind Angel - Robin Rogers
-Driving Wheel - Etta James
-Come Home Blues - Jennifer Nettles Band
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-Tell Me More And More And Then Some - Nina Simone
-Black Rattler - Carl Sonny Leyland Trio feat. Nathan James and Ben Hernandez
-Elijah Rock - Ollabelle
-Sun Dirt Water - The Waifs
-Tragic - JJ Grey & Mofro
-The Hole - The Soul of John Black
-Memories of a Good Time - Nublues
-Come On In My Kitchen - Crooked Still
-Burn Down the Cornfield - Charlie Musselwhite

01-09-10

Drop Dead Blues

-Ruby Mae - Snooky Pryor & Mel Brown
-Down Home Blues - Etta James
-All Over You - Jim Byrnes
-The Hole - The Soul of John Black
-Lord, Don't Move the Mountain - Angela Strehli
-Flesh and Blood - The Waifs
-Deep in the Delta - Brother Yusef
-You Got Me Running - Sugar Pie Desanto
-If I Can't Sell It, I'll Keep Sittin' On It - Ruth Brown
-Death Came A-Knockin' - Ruthie Foster
-Burn Down the Cornfield - Charlie Musselwhite